Is photography Art?

1. the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be app

On The Guardian’s website today, I read an article, obviously by a regular columnist, talking about the most expensive photograph ever to be sold, at $6.5m (somewhere north of £4million). The columnist states Continue reading

Café Van Gogh, Arles, France in 2007 (left), and Van Gogh's painting 'Café Terrace at Night', 1888.
Café Van Gogh, Arles, France in 2007 (left), and Van Gogh’s painting ‘Café Terrace at Night’, 1888.

I was looking for the original title of Vincent Van Gogh’s painting Café Terrace at Night (above right), because I wanted to upload my photo (above left) of the same scene to my profile on the website. I try not to leave the ‘description’ field completely empty when I publish an image there, so I thought I’d check out the name of the café, the original name of the painting, and the English name of the painting. The way I see it, there is something of a distortion in the translation. The French name is Terrasse du Café le Soir,  and by the time it’s in English, Café Terrace at Night, it’s a generic café terrace in the evening.

The actual meaning of its French title is that it’s the terrace of a café called ‘Le Soir‘. At least that’s my interpretation; as I understand it, in French, a named café puts the word ‘Café’ before its name, for example, ‘Café le Baron‘ is a café called ‘The Baron’. So Café le Soir could be interpreted the same way.

Please correct me if I’m completely wrong; I make no claim to actually being any good at French.

So have I discovered, here, that when an English speaker looks at the painting and sees this title, they are being given misinformation? Is it really an incorrect translation that misleads us when we read into the meaning of the painting? I’m not sure. I’m not sure if the title actually matters. It’s a café with seats and tables in the street, and it’s in the evening.

When people look at an image of any kind, they interpret it in their own way. The title of an image can have a very important impact on how we interpret both its content and meaning. At a very simple level, let’s imagine a red square being printed onto canvas and hung in three different art galleries. In each gallery it is given a different title: ‘Sauce’, ‘Blood’ and ‘Claret’. The audience at each gallery will probably perceive the painting in three very different ways.

The source of the apparent difference in translation with the Café Terrace at Night may be that when it was originally put on display, it was titled Café, le soir, or Coffeehouse, in the evening.

So perhaps the confusion is down to the lack of a comma?

So it’s easier to compare, here are the four different variants of the painting’s title:

Original English: Coffeehouse, in the evening
Original French: Café, le soir
Current English: Café Terrace at Night
Current French: Terrasse du Cafe le Soir

I’d be interested to read other peoples’ thoughts …

Plate Camera and Plates

Looking through the apparently random choice of photos that iPhoto appears to have put into my iPhone albums, I decided to post a close-up image of some flowers that I took some time ago to Twitter. In turn, this inspired me to write a bit about photography and my aims and inspiration.

I love to take pictures. I somehow fail to ever find time to do it, so my poor camera sits on my desk at work and is forgotten for much of the time. I have an entry level digital SLR and two entry level lenses with various entry level accessories and they all suit me fine. I also have a plate camera and a set of unexposed and unopened glass plates that I estimate to be, well, old. I am very keen to have a go with it. I don’t really know where to start at this stage, other than I need to make some sort of box as the camera consists only of the bellows and lens. On completing this, I guess I need to experiment with focusing using either onto tracing paper in the back of the box or by exposing some resin paper and developing that.

Exposing the glass plates is currently a complete unknown, as is the development, but I will cross that bridge when I come to it. There will be plenty to think about, and I’m sure plenty of mistakes, no doubt a key selection, good and bad, will be posted here in due course.